<?xml version="1.0" encoding="UTF-8"?><metadata>
<lom xmlns="http://ltsc.ieee.org/xsd/LOM" xmlns:lomfr="http://www.lom-fr.fr/xsd/LOMFR" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://ltsc.ieee.org/xsd/LOM http://www.lom-fr.fr/xsd/lomfrv1.0/std/lomfr.xsd">
<general>
    <identifier>
        <catalog>Canal-U_Ocms</catalog>
        <entry>24925</entry>
    </identifier>
    <title><string language="fre"><![CDATA[Cappricioso, or a New ‘Grammar in Motion’ in Music and Ballet / Nathalie Vincent-Arnaud]]></string></title>
    <language>ENG</language>
    <description>
        <string language="fre"><![CDATA[Cappricioso, or a New ‘Grammar in Motion’ in Music and Ballet / Nathalie Vincent-Arnaud, in colloque international organisé, sous la responsabilité scientifique de Muriel Adrien, Melissa Percival et Axel Hémery, par l’Université Toulouse Jean Jaurès et l’Université d’Exeter. Toulouse, Musée Paul-Dupuy, 3-4 décembre 2015.
The term cappricioso, used mainly in the musical field to 
indicate the manner in which a piece is supposed to be performed, 
encompasses a number of closely-related semantic components that all 
pertain to the ideas of fancy, imagination and deviation from norms and,
 of course, to all the developments that may be expected in various 
arts. Accordingly, these ideas, widespread in the eighteenth century in 
Europe, have opened up new prospects for such arts as music and ballet 
(the latter being born academically during that period), setting the 
stage for such figures as arabesque, fantasia, cappricio that have all become notable elements of musical and/or choreographic « grammar ». This paper aims to examine how the various changes brought about by 
these new artistic thoughts and trends have had a major influence on 
musical and choreographic composition and performance, shaping up new 
visions of these arts and new modes of reception and expectations that 
are still relevant today. Several examples, taken from the two artistic 
fields concerned, will be discussed from the angle of the aesthetic, 
sociological and cognitive evolution they reveal.]]></string></description>
    <keyword><string language="fre"><![CDATA[caprices (art)]]></string></keyword><keyword><string language="fre"><![CDATA[baroque (musique)]]></string></keyword><keyword><string language="fre"><![CDATA[ballet de cour (18e siècle)]]></string></keyword>
    <lomfr:documentType>
        <lomfr:source>LOMFRv1.0</lomfr:source>
        <lomfr:value>image en mouvement</lomfr:value>
    </lomfr:documentType>
</general><lifeCycle>
    
    <contribute>
            <role>
                <source>LOMv1.0</source>
                <value>publisher</value>
            </role>
            <entity><![CDATA[BEGIN:VCARD
VERSION:3.0
CLASS:PUBLIC
REV:2016-11-13 00:00:49
FN:Université Toulouse-Jean Jaurès-campus Mirail
N:Université Toulouse-Jean Jaurès-campus Mirail;;;;

URL;TYPE=work:http://www.canal-u.tv/auteurs/universite_toulouse_jean_jaures_campus_mirail
ROLE:publisher
TZ:+0100
END:VCARD
]]></entity>
            <date><dateTime>2015-12-04</dateTime></date>
        </contribute>

    <contribute>
            <role>
                <source>LOMv1.0</source>
                <value>content provider</value>
            </role>
            <entity><![CDATA[BEGIN:VCARD
VERSION:3.0
CLASS:PUBLIC
REV:2016-11-13 00:00:49
FN:SCPAM / Université Toulouse-Jean Jaurès-campus Mirail
N:SCPAM / Université Toulouse-Jean Jaurès-campus Mirail;;;;

URL;TYPE=work:http://www.canal-u.tv/auteurs/scpam_universite_toulouse_jean_jaures_campus_mirail
ROLE:content provider
TZ:+0100
END:VCARD
]]></entity>
            <date><dateTime>2015-12-04</dateTime></date>
        </contribute>

    <contribute>
            <role>
                <source>LOMv1.0</source>
                <value>content provider</value>
            </role>
            <entity><![CDATA[BEGIN:VCARD
VERSION:3.0
CLASS:PUBLIC
REV:2016-11-13 00:00:49
FN:Jean JIMENEZ
N:JIMENEZ;Jean;;;

URL;TYPE=work:http://www.canal-u.tv/auteurs/jimenez_jean
ROLE:content provider
NOTE:StatutRéalisateur DiplômesDoctorat en Sciences de l'Information et de la Communication "Réalisations audiovisuelles dans la vulgarisation de la recherche scientifique"  
TZ:+0100
END:VCARD
]]></entity>
            <date><dateTime>2015-12-04</dateTime></date>
        </contribute>

    <contribute>
            <role>
                <source>LOMv1.0</source>
                <value>author</value>
            </role>
            <entity><![CDATA[BEGIN:VCARD
VERSION:3.0
CLASS:PUBLIC
REV:2016-11-13 00:00:49
FN:Nathalie VINCENT-ARNAUD
N:VINCENT-ARNAUD;Nathalie;;;

URL;TYPE=work:http://www.canal-u.tv/auteurs/vincent_arnaud_nathalie
ROLE:author
NOTE:Nathalie Vincent-Arnaud   is Professor at the University of Toulouse-Jean Jaures (France). Her teaching and research areas are mainly translation   studies, stylistics, and the intersemiotic relationship between music,   dance and literature. A member of Cultures Anglo-Saxonnes (CAS), she   is also in charge of an interdisciplinary research programme on music   and literature at the IRPALL (Institut de Recherche Pluridisciplinaire   en Arts, Lettres et Langues).  > Voir sa page personnelle (CAS).   
TZ:+0100
END:VCARD
]]></entity>
            <date><dateTime>2015-12-04</dateTime></date>
        </contribute>

</lifeCycle>
<metaMetadata>
    <metadataSchema>LOMv1.0</metadataSchema>
    <metadataSchema>LOMFRv1.0</metadataSchema>
</metaMetadata>
<technical>
    <format>video/x-flv</format>
    <location><![CDATA[http://www.canal-u.tv/video/universite_toulouse_ii_le_mirail/cappricioso_or_a_new_grammar_in_motion_in_music_and_ballet_nathalie_vincent_arnaud.24925]]></location>
    <location><![CDATA[rtmpt://fms2.cerimes.fr:80/vod/utm/fancy.fantaisie.capriccio.introduction.copie._24925/14.vincent.arnaud.nathalie.mp4]]></location>
        
        
    <size>191353867</size>
    <duration><duration>PT0H21M20S</duration></duration>
</technical>
<educational>
    <learningResourceType>
        <source>LOMv1.0</source>
        <value>lecture</value>
    </learningResourceType>
    
    <context>
        <source>LOMv1.0</source>
        <value>master</value>
    </context>
    <context>
        <source>LOMv1.0</source>
        <value>doctorat</value>
    </context>
</educational>
<rights>
    <cost>
        <source>LOMv1.0</source>
        <value>no</value>
    </cost>
    <copyrightAndOtherRestrictions>
        <source>LOMv1.0</source>
        <value>no</value>
    </copyrightAndOtherRestrictions>
    <description>
        <string language="fre"><![CDATA[Droits réservés à l'éditeur et aux auteurs. 
Tous droits réservés aux auteurs et à l'Université Toulouse Jean Jaurès.]]></string>
    </description>
</rights>

            <relation>
                <kind>
                    <source>LOMv1.0</source>
                    <value>ispartof</value>
                </kind>
                <resource>
                    <identifier>
                        <catalog>URI</catalog>
                        <entry>http://www.canal-u.tv/producteurs/universite_toulouse_ii_le_mirail/colloques/fancy_fantaisie_capriccio_diversions_and_distractions_in_the_eighteenth_century</entry>
                    </identifier>
                    <description>
                        <string language="fre"><![CDATA[Fancy-Fantaisie-Capriccio: Diversions and Distractions in the Eighteenth Century]]></string>
                    </description>
                </resource>
            </relation>

<classification>
    <purpose>
        <source>LOMv1.0</source>
        <value>discipline</value>
    </purpose>
    <taxonPath>
        <source>
        <string language="fre"><![CDATA[Universités Numériques Thématiques 2009 http://www.universites-numeriques.fr]]></string>
        </source>
        <taxon>
            <id/>
            <entry>
                <string language="fre"/>
            </entry>
        </taxon>
    </taxonPath>
</classification>
<classification>
    <purpose>
        <source>LOMv1.0</source>
        <value>discipline</value>
    </purpose>
    
    <taxonPath>
        <source>
            <string language="fre">CDD 22e éd.</string>
            <string language="eng">DDC 22nd ed.</string>
        </source>
        <taxon>
            <id>780.903</id>
            <entry>
                <string language="fre"><![CDATA[Histoire de la musique (1450 à nos jours)]]></string>
            </entry>
        </taxon>
   </taxonPath>
    <taxonPath>
        <source>
            <string language="fre">CDD 22e éd.</string>
            <string language="eng">DDC 22nd ed.</string>
        </source>
        <taxon>
            <id>792.802</id>
            <entry>
                <string language="fre"><![CDATA[Mise en scène et aspects spécifiques du ballet et de la danse moderne]]></string>
            </entry>
        </taxon>
   </taxonPath>
</classification>      </lom>
   </metadata>