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The Buddha’s Nirvana and Medieval Chinese Relic Deposits




Auteur(s) : LEE SONYA    30-04-2008 
Éditeur(s) : EFEO Ecole Française d'Extrême Orient;    

Description : The Buddha Sakymuni’s entry into nirvana was a moment of great significance in the history of Buddhism. Pictorial representations of this event began to gain prevalence in China in the sixth century and had remained a major subject in Chinese Buddhist art ever since. In this talk, Sonya Lee focuses on nirvana images especially made for underground pagoda crypts with Buddhist relics enshrined inside. From painted murals to decorations on reliquaries and freestanding sculptures, the many variations in which the motif appeared in relic deposits point to sophisticated uses of visual images to define the kind and symbolic values of the relics that they accompanied. Selected examples from the eighth to twelfth centuries are examined to better illuminate the material dimensions of relic worship as well as some fundamental changes that Buddhism underwent in its continued engagement in medieval Chinese society.


Mots-clés libres : art bouddhique, bouddhisme, Chine
Classification générale : Histoire générale de l'Asie Extrême-Orient
Généralités - Arts

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Conditions d'utilisation : Droits réservés à l'éditeur et aux auteurs

DONNEES PEDAGOGIQUES

Type pédagogique : cours / présentation
Niveau : enseignement supérieur, licence

DONNEES TECHNIQUES

Format : video/x-flv
Taille : 110.57 Mo
Durée d'exécution : 1 heure 15 minutes

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